Picasso’s private drawings; the artist’s personal collection of his finest drawings including 117 reproductions

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Under Fire was one of a trio of notable films from the mid-1980s about journalists involved in Third World war zones. While certainly a lesser film than Salvador (1986) or The Killing Fields (1984) Roger Spottiswoode’s movie is still a commendable work from a director who later brought a similarly political edge to Noriega: God’s Favourite (2000).

Nick Nolte plays an American photo-journalist covering the civil war in Nicaragua in 1979, finding himself caught in a dangerous and cynical web of duplicity and self-interest, as well as falling in love with fellow American, Claire (Joanna Cassidy). Nolte gradually uncovers the degree of his own government’s involvement with the corrupt regime, and inevitably ends up crossing the line from neutral observer to helping the rebel cause.

Under Fire is in essence a reworking of Casablanca, especially as Gene Hackman’s network newsman proves to be Cassidy’s ex-lover, yet thanks to an intelligent script, strong support from Ed Harris as a mercenary and some genuinely unnerving and frightening scenes of the random chaos of war, it’s one which packs a powerful punch. Jerry Goldsmith’s evocative score is among his best of the 1980s.

On the DVD: Under Fire is presented in an anamorphic 1.77:1 transfer which is very clean and clear with minimal grain. The well-mixed Dolby Pro-logic soundtrack is highly effective, if not so startling as a 5.1 track. Beyond multi-language and subtitle options, the only extra is the original trailer, which is also anamorphically enhanced. –Gary S Dalkin
Customer Review: Taking sides
Under Fire is one of the few mainstream American `political’ movies to emerge from the studio system, but along with Missing it’s probably the best. On one level it grafts a traditional romantic triangle onto its story of American war correspondents in Nicaragua gradually finding themselves drawn to taking sides instead of taking pictures, but at least it’s a convincingly grown-up relationship that allows Nick Nolte, Gene Hackman and a never better Joanna Cassidy to really shine. It’s a shame that Cassidy never got more opportunities like this: a last-minute replacement for Julie Christie, she’s extraordinarily good here. The film also boasts an impressive supporting cast, with a star-making turn from Ed Harris as an amiable but deadly mercenary a standout, although Jean-Louis Tritignant’s deceptively unsubtle CIA man gives him a run for his money (not so much for his performance - his English was non-existent and it’s obvious he’s learned his lines phonetically - but because he has most of the film’s best dialog). Extremely well directed by Roger Spottiswoode with a promise he never really fulfilled, it’s an impressive albeit partisan portrait of a country decaying in the last stages of revolution and also boasts what is possibly Jerry Goldsmith’s finest score (which is saying quite something). Impressive stuff. The DVD’s only extra is the superb theatrical trailer, although it does boast a decent widescreen transfer.
Customer Review: A film with new resonance
Set in civil war torn Nicaragua where the US was propping up the regime of a Dictator (Antonio Somoza) against a popular left wing uprising. Stars Nick Nolte Joanna Cassidy and Gene Hackman. The heroes all make poor choices and are flawed, for both good and bad reasons. The journalists become committed to one side in the conflict, and in this action harm those they wish to support, and yet ultimately an honest piece of reporting does produce change. Thus it addresses the eternal dilemma for journalists who must ask whether to remain passive or become active - record or participate? Now probably - “suppress or report”? Its resonance is the hypocrisy and arrogance of US foreign policy - then supporting South American Juntas through the 1980s and 1990s - and now… It is based upon a true story - the the death of journalist Bill Stewart at the hands of a Nicarguan soldier was filmed by a TV crew and really did change the course of a Civil war - but not before countless “less important” deaths. The film is driven along by an excellent soundtrack, which sucks you in as the tension builds. Weaved in this is an inevitable but credible love story. The leads all give strong performances. I think this film has been rather overlooked - perhaps it said too many things the American public did not want to hear. Better than Salvador. A policitical drama and love story about a murder set in a war! Worth a watch.
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Paloma Picasso for Women Perfumed Deodorant Spray 150 ml Launched by the design house of Paloma Picasso in 1984, PALOMA PICASSO PERFUME is classified as a refined, woody, mossy fragrance. This feminine scent possesses a blend of many florals along with citrus, woods, and greens. It is recommended for evening wear. All our fragrances are 100% originals by their original designers. Satisfaction guranteed.
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FEATURING WORKS BY PICASSO AND THE GREAT MASTERS WHO INSPIRED HIM, INCLUDING MATISSE, RENOIR, CEZANNE AND ROUSSEAU. AT THE GALLERY OF MODERN ART, BRISBANE, FROM JUNE 9 TO SEPTEMBER 14 The collection at the Gallery of Modern Art, Brisbane, helps Continue

DUBAI, United Arab Emirates (AP) — A unique Picasso retrospective has gone on display in Abu Dhabi, bringing some of the Spanish artist’s favorite works to this Gulf city-state that aspires to become the region’s cultural capital. The show was put Continue

Picasso Erotique (English translation)

Picasso: The Berbbruen Album

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Picasso Trigger [1989] (REGION 1) (NTSC)

Posters: Pablo Picasso Poster Art Print - The Dog (20 x 16 inches)

Etihad carries 180 Picasso works - Khaleej Times
ABU DHABI — Etihad Crystal Cargo, a division of Etihad Airways, carried 180 master works of Pablo Picasso from Paris to Abu Dhabi ahead of the opening of the world-renowned art exhibition in the capital yesterday, a statement from Etihad Airways

Picassos Klassizismus: Work- 1914-1934

Guggenheim Collection - Artist - Picasso

Picasso: EnchantedLearning.com

The Sorcerer’s Apprentice: Picasso, Provence and Douglas Cooper
The eyes have it. Where Richardson’s twinkled and Picasso’s scorched with Andalusian mirada fuerte, Douglas Cooper, a comic fiend something between Dame Edna Everage and Ignatius Reilly, had “scary little avian eyes”, one of which bore a sightless pupil shaped like an inverted keyhole from a Magritte, and a malevolent temper that poured venom like lava. It was impossible to work out which he hated more, himself or the world, but the one fed off the other with magnificent fury, while Richardson followed a step behind rebuilding bridges from the rubble and learning. Cooper pulled strings “so hard they snapped”. Two quotations from Francis Bacon, no angel himself, bookend this curious, exasperatedly affectionate memoir by John Richardson, distinguished art historian and 1991 Whitbread Award-winning biographer of Picasso (who is put in the shade by Cooper’s hefty shadow): the prophetic “she’ll try to lure you to bed, and then she’ll turn on you. She always does”, finds its uncanny conclusion in “Didn’t I warn you she was a thoroughly treacherous woman?”.

The sorcerer and his apprentice lived for 10 years in the grandiose “folly” Ch?teau de Castille in Provence, where they entertained a circle that included Picasso, Jean Cocteau, Angus Wilson, Tennessee Williams and a range of the usual suspects from that period’s artistic fraternity. When Richardson left Cooper for the lights of New York, the outrage of the spurned lover led him to burn his possessions, steal his paintings, denounce him to friends and employers, and even to attempt to arrange his arrest by Interpol. He was a duplicitous, sadistic bully, but, importantly, he was not a bore (among his more outrageous acts was loudly booing Queen Elizabeth II outside Westminster Abbey at her Coronation). Moreover, his knowledge for his subject, classical Cubism, and his pioneering collecting of the works of Picasso, Braque, L?ger and Gris, were an essential counterpoint to the staid, unenlightened policy of the Tate Gallery and its director, Sir John Rothenstein, for whom he held a deteriorating scorn which finally resulted in the “Tate Affair”, when Rothenstein publicly thumped Cooper. He was certainly not to first that wanted to. On occasion Richardson lapses into routine recall, but generally his delight in reviewing this formative, rites-of-passage period, re-ignites the fire in Cooper flaring nostrils, and borrows some of its flame to stoke a bitchy, enriching addendum to his Picasso magnus opus, which, appropriately, bears a dedication to his old sorcerer. –David Vincent

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Picasso (REGION 1) (NTSC)

Life of Picasso: 1881-1906: Vol 1 (Richardson, John//Life of Picasso)

The Success and Failure of Picasso

Willi Baumeister et la France: Arp, Cahn, C?zanne, Delaunay, Gleizes, H?lion, Le Corbusier, L?ger, Miro, Ozenfant, Picasso, Mondrian, Seuphor

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Customer Review: Valuable Insights into Picasso’s Sources and Methods
If you think you know Picasso’s work, this book will convince you otherwise. John Richardson has done a tremendous service by sorting out when Picasso produced his greatest works between 1917 and 1932, what sources he “borrowed” from, what he was trying to accomplish, and how all of these works affected his career. This book was quite a revelation to me. Simply by seeing a lot of his work (as you can do at Musee Picasso, for example), you quickly realize that Picasso constantly copied himself. And, of course, it is well known that he borrowed much while trying to establish a style and while working with Braque to develop cubism. But Picasso borrowed early and often in ways I didn’t realize. In that sense, he was a supreme stylist who could execute someone else’s idea in a more profound way. I came away with a new appreciation for that aspect of his talent. While Picasso was alive, very little was said in books about his mistreatment of women and the motives behind his paintings of his wives and lovers. While his second life was alive, people were still pretty circumspect on this point. But now we know that Picasso was louse when it came to women and his family. This book gives you the full story of his first marriage, relationship with his young mistress who inspired so many joyous works, Marie-Therese Walter, and his constant attraction to prostitutes. There are some other surprises in this book including how central his work with ballet was in creating interest in his paintings and sculptures. It was through Diaghilev that Picasso met his first wife, Olga Khokhlova, a ballerina in the Ballets Russes. Picasso decided it was time to settle down and marry. Despite having had long relationships with women before, he now was looking for someone who would help make him respectable. In the process, Picasso adopted the lifestyle of one of the first wealthy artists (famously being driven around in one of the world’s most expensive cars by a chauffeur in the middle of the world-wide economic depression). As good as John Richardson is on those subjects, he can be most annoying in other ways. For example, Mr. Richardson seems to have an obsession with Jean Cocteau and writes a lot about him even though Picasso didn’t like Cocteau very much and Cocteau didn’t influence Picasso very much either. Mr. Richardson also has a writing style that can be enormously elusive, describing what happened without saying anything. Picasso’s wife seems to have had a lot of physical and mental problems but these are mentioned without providing much real information other than when they occurred. A greater problem comes in that Mr. Richardson likes to drop in lots of French phrases (I read French so I had no problem), but if you don’t read French it makes the text harder to follow. Some will also find some of Mr. Richardson’s put downs of those who disagree with as being rude and high handed. Perhaps the most annoying problem comes in using academic words to describe distasteful aspects of Picasso’s personality and behavior. It’s like putting lipstick on a pig. But I advise you to read the book while being prepared for its weaknesses. I’m afraid there is no substitute. The generously represented art makes up for the weaknesses.
Customer Review: Not up to the mark
My copy was warped and the front cover was scratched. For a book of this quality and price I would expect it to be delivered in pristine condition.
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Allposters.co.uk is the world’s #1 seller of posters, prints, photographs, specialty products and framed art. We’re dedicated to bringing our customers the best selection of high quality wall d?cor that is perfect for their home or office. Browse our catalog of over 300,000 items that include entertainment and specialty posters, decorative prints, and art reproductions. Whether you’re looking for your favorite movie or music poster, a framed Monet reproduction, or a print of the Eiffel Tower you will find it at Allposters.co.uk. Visit our Amazon store today at www.amazon.co.uk/allposters to find Special Offers and search by subject category or artist. Allposters.co.uk provides unmatched service with a 100% satisfaction guarantee. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures.
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ABU DHABI — Etihad Crystal Cargo, a division of Etihad Airways, carried 180 master works of Pablo Picasso from Paris to Abu Dhabi ahead of the opening of the world-renowned art exhibition in the capital yesterday, a statement from Etihad Airways Continue

A Life of Picasso: 1907-17: Painter of Modern Life v. 2

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2008 Picasso Deluxe Diary

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Blue Nude, c.1902 Art Poster Print by Pablo Picasso, 24×37
Allposters.co.uk is the world’s #1 seller of posters, prints, photographs, specialty products and framed art. We’re dedicated to bringing our customers the best selection of high quality wall d?cor that is perfect for their home or office. Browse our catalog of over 300,000 items that include entertainment and specialty posters, decorative prints, and art reproductions. Whether you’re looking for your favorite movie or music poster, a framed Monet reproduction, or a print of the Eiffel Tower you will find it at Allposters.co.uk. Visit our Amazon store today at www.amazon.co.uk/allposters to find Special Offers and search by subject category or artist. Allposters.co.uk provides unmatched service with a 100% satisfaction guarantee. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures.

Seated Woman by Pablo Picasso

Picasso

Pablo Picasso

Guggenheim Collection - Artist - Picasso - Biography

Picasso: Sculptor/Painter - A Brief Guide

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Posters: Pablo Picasso Poster Art Print - Child With Dove (14 x 11 inches)

Figure Stylisee art print by Pablo Picasso, 100cm x 70cm

Paloma Picasso for Women 30ml EDT Spray

Pablo Picasso 1881-1973: Genius of the Century Customer Review: Excellent value
(A review of the papeback editon)

The two volume book is arranged in seventeen chapters concluding with a considerable Chronology illustrated with numerous black and white pictures, mostly photographs with many of the artist, Notes, a Bibliography which includes exhibition catalogues, and a rather brief (one page) Index of Names.

The opening Chapter reminds us of the stature of the man, and of his prodigious output; briefly summarising his career. The subsequent Chapters chronicle Picasso’s progress starting with his childhood efforts, through the Blue and Rose Periods, Cubism, “Guernica” to mention just a few and concluding with “The Legend of the Artist”. It is intelligently written, accessible and makes very interesting reading. The illustrations run with the text and are usually within a page or two of the relevant reference.

Produced in two paperback volumes in a cardboard slipcase Taschen’s 25 anniversary edition is an impressive effort. It is superbly illustrated throughout with approaching 1,500 images mainly in colour but with a few back and white (usually drawings or photographs). The smallest pictures are just thumbnails, the largest full page and the occasional double page spread, with every size between; but there are plenty of good sized pictures with whole sections of colour plates, it certainly makes an impressive array. Overall the pictures far outweigh the text.

At such good value for money it is hard to be critical of this two volume set, but I fear I have two concerns. Firstly the Index seems wholly inadequate, an Index of Names which amounts to one page; finding a particular painting or anything else might prove difficult. Secondly, while the two volumes come protected in a slipcase, the card covers (paperback edition) to the individual volumes feel very slight; with each approaching 400 pages one feels one has to handle them with great care for fear of damaging the binding. It is however a very worthwhile set, one would be hard pressed to find so many reproductions of Picasso’s work elsewhere for the money,
and would not hesitate to recommend it.
Customer Review: A 'Must Have' book for Picasso lovers.
A must have for anyone really. Lovely cover, big print, easy to get around and absorb. Educational for those who are not familiar with his work. Now a classic really for it refers to last rather than this century.

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Picasso (Introduction to Art)

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DUBAI, United Arab Emirates - A unique Picasso retrospective has gone on display in Abu Dhabi, bringing some of the Spanish artist’s favorite works to this Gulf city-state that aspires to become the region’s cultural capital. The show was put Continue

The Artist and the Camera: Degas to Picasso Customer Review: Photography as the Painter and Sculptor’s Intermediary
I first became aware of the impact of photography on abstract art when I commissioned a portrait. Expecting to be told to sit, instead I was encouraged to strike poses that meant something to me. The artist followed me around with a Polaroid camera. We discussed what the camera was showing, and tried different poses. Eventually, we found one we both liked. Then he made copies of the Polaroid and began using a marker to crop and adjust the work. Later, when the painting was finished, I could see a memory of the Polaroid but the actual painting was quite different in image and execution of color and materials. When I asked about this, the artist told me he had first trained as a photographic artist and liked to work back and forth between the two media. Very interesting.

With that experience, I was delighted to see this fine work on the impact photography had on Symbolist artists around the turn of the 20th century. This is a catalogue also for a traveling show that is just about to close at the Guggenheim in Bilbao. The closest location to me was Dallas, so I would have missed the show otherwise.

The catalogue is much more heavy duty than most such efforts. It is dominated by essays rather than by images, although it is generously illustrated.

The subject is well-chosen because these artists were heavily interested in expressing the interior essence of the subjects rather than their outward appearance. Dorothy Kosinski’s opening essay on Vision and Visionaries is a wonderful summary of the show. After introductory essays by Elizabeth Childs on The Photographic Muse, Douglas Nickel on Photography and Invisibility, and Ulrich Pohlmann on Photography as a Study Aid, each artist has an essay describing his use of photography. In order of appearance are Moreau, Degas, Rodin, Gauguin, Khnopff, Rosso, Mucha, Munch, von Stuck, Vallotton, Bonnard, Vuillard, Brancusi, and Picasso. Some of the artists may be unfamiliar to you, as they were to me. But it’s a good excuse to learn about them.

What I learned from the book was a greater appreciation for the creative process. For example, I might admire a figure in a painting, but seeing it in the context of a photograph of the model makes me appreciate it more. Because this way I can see what the artist added, which gives me clues as to what the artist wanted to express that I might have missed. And the transformations are quite substantial and impressive.

Naturally, not everyone used photographs simply as models. The sculptors tended to use photography also to display their work in more powerful ways. For example, the lighting effects on Rodin’s and Brancusi’s finished works are quite stunning . . . adding elements that would be unseen otherwise.

I was equally interested in the use of x-rays and microscopic pictures to reveal what cannot be detected by the eye, and expand the range of images that can be considered. Photography of motion also picks up elements that can never be posed otherwise, like a rider on a racing horse.

Photography also became a form of communication for these artists. Gauguin used photographs to keep in touch with Paris in both directions while in Tahiti. Picasso was able to carry around with him the classical examples that inspired him, without needing to revisit the original. These references also communicate to us more about what he had seen and wanted to portray. It expanded my understanding of his early works to see these connections. His classical roots are much deeper than I had realized.

Interestingly, the artists usually tried to keep their use of photography a secret. Some even railed against photography, while using it in private to assist them. Many of them eventually learned to make their own photographs, but many relied on the talent of fine photographers to help them.

The question that kept running through my mind was how artists are using the Internet now in ways that will not be documented and understood for another 100 plus years.

Enjoy this wonderful and thought provoking book that will expand your access to art!

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Picasso Erotique (English translation)

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Are you quick on the draw? Even harder, can you put a title to someone else’s masterpiece?
Customer Review: Picasso the funniest game around
Picasso is a very simple game to play with few rules, but so much fun. It’s best if you can’t draw too well; the fun is all in the ridiculous suggestions that the other competitors come up with for your drawings. Even ardent Pictionary fans have agreed that this is much better.
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A Day with Picasso (Adventures in Art)

Picassos Klassizismus: Work- 1914-1934

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Posters: Pablo Picasso Poster Art Print - Femme A La Fleur (32 x 24 inches)

Paloma Picasso Perfume by Paloma Picasso for Women 1.7 Oz ( 50 ml ) Eau De Parfum Spray
Paloma Picasso for Women 1.7 Oz (50 ml) Eau De Parfum Spray Launched by the design house of Paloma Picasso in 1984, PALOMA PICASSO PERFUME is classified as a refined, woody, mossy fragrance. This feminine scent possesses a blend of many florals along with citrus, woods, and greens. It is recommended for evening wear. All our fragrances are 100% originals by their original designers. Satisfaction guranteed.

Balls to Picasso

Picasso and the Girl with the Ponytail: A Story of Pablo Picasso Customer Review: Touching story of art and how Picasso helped a little girl
I read this on my honeymoon when I found it in a little shop at the shop in the Picasso museum in Barcelona. Its fantastic - a very touching story of how Picasso made a little girl feel special and helped her to grow up.

At the same time, it explores Picassos art and explains how his work developed over time, from his Blue period to Abstractism.

A great way to introduce children to the world of art and ideas - and part of a great series by Laurence Anholt.

Thoroughly enjoyable for adults and children.

The Success and Failure of Picasso

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Customer Review: Valuable Insights into Picasso’s Sources and Methods
If you think you know Picasso’s work, this book will convince you otherwise. John Richardson has done a tremendous service by sorting out when Picasso produced his greatest works between 1917 and 1932, what sources he “borrowed” from, what he was trying to accomplish, and how all of these works affected his career. This book was quite a revelation to me. Simply by seeing a lot of his work (as you can do at Musee Picasso, for example), you quickly realize that Picasso constantly copied himself. And, of course, it is well known that he borrowed much while trying to establish a style and while working with Braque to develop cubism. But Picasso borrowed early and often in ways I didn’t realize. In that sense, he was a supreme stylist who could execute someone else’s idea in a more profound way. I came away with a new appreciation for that aspect of his talent. While Picasso was alive, very little was said in books about his mistreatment of women and the motives behind his paintings of his wives and lovers. While his second life was alive, people were still pretty circumspect on this point. But now we know that Picasso was louse when it came to women and his family. This book gives you the full story of his first marriage, relationship with his young mistress who inspired so many joyous works, Marie-Therese Walter, and his constant attraction to prostitutes. There are some other surprises in this book including how central his work with ballet was in creating interest in his paintings and sculptures. It was through Diaghilev that Picasso met his first wife, Olga Khokhlova, a ballerina in the Ballets Russes. Picasso decided it was time to settle down and marry. Despite having had long relationships with women before, he now was looking for someone who would help make him respectable. In the process, Picasso adopted the lifestyle of one of the first wealthy artists (famously being driven around in one of the world’s most expensive cars by a chauffeur in the middle of the world-wide economic depression). As good as John Richardson is on those subjects, he can be most annoying in other ways. For example, Mr. Richardson seems to have an obsession with Jean Cocteau and writes a lot about him even though Picasso didn’t like Cocteau very much and Cocteau didn’t influence Picasso very much either. Mr. Richardson also has a writing style that can be enormously elusive, describing what happened without saying anything. Picasso’s wife seems to have had a lot of physical and mental problems but these are mentioned without providing much real information other than when they occurred. A greater problem comes in that Mr. Richardson likes to drop in lots of French phrases (I read French so I had no problem), but if you don’t read French it makes the text harder to follow. Some will also find some of Mr. Richardson’s put downs of those who disagree with as being rude and high handed. Perhaps the most annoying problem comes in using academic words to describe distasteful aspects of Picasso’s personality and behavior. It’s like putting lipstick on a pig. But I advise you to read the book while being prepared for its weaknesses. I’m afraid there is no substitute. The generously represented art makes up for the weaknesses.
Customer Review: Not up to the mark
My copy was warped and the front cover was scratched. For a book of this quality and price I would expect it to be delivered in pristine condition.
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Picasso and the Age of Iron