Hard N Heavy Thrash Metal Speed Special
Customer Review: Ah…the Metal Memories
If you’re a thrash metal connoisseur from way back in the late 80’s-mid 90’s, then this VHS is definitely for you. At the time it was made it was a showcase of bands that really new what “Riding the Lightning” meant as they created a brand new form of head-banging bliss. Now it’s a stomp through memory lane…to a time when metal was still kind of new and definitely raw. Some bands make me inspired to keep the faith, while other bands make me laugh… Either way they all shred in one way or another. It follows the same format as the other Hard’n'Heavy tapes (including the silly “rock and roll” animations), but with cooler bands. Just for you, here are the bands actually featured on the tape: Megadeth, Anthrax, Voivod, Overkill, Motorhead, Heathen, Exodus, Testament, Candlemass (heh heh), Vio-lence, Kreator, Annihilater (HAHA), Celtic Frost (BWAH HAH HAH), Mordred, Laaz Rockit, Danzig, Coroner, Sacred Reich, M.O.D., Nuclear Assault, Forbidden…and a special Legends On Film section with Black Sabbath (post Ozzy and Dio). If you haven’t seen this tape then I recommend at least watching it once. But it absolutely has to be watched at midnight during October, with burning black candles and tons of beer and coke around or it just won’t be the same.

-

Posters: Pablo Picasso Poster Art Print - Femme Au Jardin (12 x 9 inches)

Picasso

A Life of Picasso: The Cubist Rebel, 1907-1916 (Borzoi Books)

In The Cubist Rebel, 1907–1916, the second volume of his Life of Picasso, John Richardson reveals the young Picasso in the Baudelairean role of “the painter of modern life”—a role that stipulated the brothel as the noblest subject for a modern artist. Hence his great breakthrough painting, Les Demoiselles d’Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, Richardson analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable—more often sinned against than sinning. Heartbroken at the death of his mistress Eva, Picasso tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915–17 successively turned him down. These disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to work for the Ballets Russes in Rome and Naples—back to the ancient world.

In this volume we see the artist’s life and work during the crucial decade of 1907–17, a period during which Picasso and Georges Braque devised what has come to be known as cubism and in doing so engendered modernism. Thanks to the author’s friendship with Picasso and some of the women in his life, as well as Braque and their dealer, D. H. Kahnweiler, and other associates, he has had access to untapped sources and unpublished material. In The Cubist Rebel, Richardson also introduces us to key figures in Picasso’s life who have been totally overlooked by previous biographers. Among these are the artist’s Chilean patron, collector, and mother figure, Eugenia Err?zuriz, as well as two fianc?es: the loveable Genevi?ve Laporte and the promiscuous bisexual painter Ir?ne Lagut.

By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing fresh light to bear on the artist’s private life, he has succeeded in coming up with a new view of this paradoxical man and of his paradoxical work. Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity.

Customer Review: Picasso : The Cubist Rebel is the second volume in the projected four volume magisterial biography by John Richardson
Pablo Picasso (1881-1973) was an amorous Andalusian who spent most of his life in Paris. Picasso is the greatest artistic genius of the twentieth century. In this second volume of his sine qua non biography of the complex painter his friend John Richardson does a superb job of looking at his life from 1917-1932. The small print text of over 400 pages is complimented by the works of the master which are being discussed in the text. I love this technique! It makes Richardson’s astute analysis of the artwork much easier to understand!
This era in Picasso’s career is concerned with his invention of CUBISM a revolutionary avant-garde movement which changed the way we see and interpret art! Picasso drew on his love of Cezanne, El Greco and others to move from his blue and red period into the wild world of cubism. Cubism breaks down pictorial forms into angles and presents them to our eye as two-dimensional. Cubism makes use of cubes and lines, cones and
spheres to entice us into seeing reality in a new way. The movement was launched with Picasso’s great 1907 masterpiece: “Les Madimoiselles d’ Avignon.” Picasso along with his best friend Georges Braque and lesser lights such as Juan Gris were in the vanguard of the burgeoning movement sweeping all aside! Cubism would be virulently attacked during World War I by French chauvinists who believed the movement was German and led by spies and decadents. As the war ended we see Picasso moving to neoclassicism. It was also in these years that he moved from a bohemian life to one of wealth and renown in the art world.
During these years Picasso lost his father and found several art dealers (especially in Germany and Russia) who purchased his art at high prices. His friendship with Gerturde and Leo Stein led to his being known in the United States. During this time we learn of his friendships with the eccentric poet Apollinaire and Max Jacob a Jewish convert to Catholicism who was a writer and worshipper at the great artist’s throne.
As always we see Picasso falling in and out of love. He broke with his live in lover Ferdinand Oliver and almost wed a woman named Eva. He had torrid affairs with the lesbian bisexual Irene Legut and a woman named Gaby who refused to wed the mecurial quick-tempered moody Spaniard. The book ends with Picasso working on the art work curtains for the ballet
“Parade” produced for Serge Diagheliv’s ballet company. It was then he got to know Stravinksy and Erik Satie as well as Jean Cocteau who became a big fan of Picasso. It was while working on the ballet in Rome that P:icasso met his first wife the lovely Olga Khoklova who was a ballerina with the company.
Picasso is an enigma entwined in a mystery! He could be generous and parsiminous, violent and gentle, loving and sadistic. I applaud his pacificsm during World War I. Browsing through these many pages one is astounded at the range and breadth of this artist’s oeuvre. Only Henri Matisse can compete with the Andalusian bull.
No one can understand Picasso without devouring these volumes by Richardson. As Picasso changed the way we see so too does Richardson alter our perception and understanding of Picasso and Cubism.

Read more..

Caruso: A Man & His Music - The Young Caruso
Customer Review: Valuable mostly as an early Lollobrigida film
This movie is not really much as a biography of Enrico Caruso; viewers looking for a biopic might be better advised to seek out the one with Mario Lanza and Ann Blyth. Its main interest lies in the fact that it’s one of Gina Lollobrigida’s earlier performances; she’s stunning, as always, as the love interest.

Customer Review: Too Sketchy and Unrealistic
A sketchy biography only of this greatest tenor of all times.

It began with the boy singing in the street. He also sang in the church choir too etc. It seems that it was shot somewhere in a small village in Tuscany with some reality.

Only Caruso’s funeral was true. But the DVD comes with quite a bonus of a few of Caruso’s arias. The sound as a whole is not bad at all. But there is not much drama in the movie, and as a whole, it isn’t really a success. If you have one or two of this master’s CD, you might as well avoid it.

-

Continue …

Continue …

A Life of Picasso: The Prodigy, 1881-1906 (Borzoi Books) As he magnificently combines meticulous scholarship with irresistible narrative appeal, Richardson draws on his close friendship with Picasso, his own diaries, the collaboration of Picasso’s widow Jacqueline, and unprecedented access to Picasso’s studio and papers to arrive at a profound understanding of the artist and his work. 800 photos.
Customer Review: A life of Picasso vol 1
Great work, done by a real scholar, beautifully written, as fascinating as a novel. Keeps away from myths and tales, impressively documented, meticulously illustrated (too bad it is not in color).
Customer Review: John Richardson’s Magisterial Biography of Painter-Genius Picasso begins in Malaga in 1881
Pablo Picasso (1881-1973) was born to a mediocre painter and his good wife Maria on October 25, 1881. His family was poor but well connected. One uncle was a priest; another a prominent medical doctor. Picasso’s father was easygoing eking out a living as an art teacher. When Pablo was a boy the family moved to Barcelona where his father taught in an art school. His mother was beloved of Pablo who had her tenacity of character and eager desire to learn. His younger sister Conchita died in childhood and he was close to his remaining sister throughout their long lives.
Pablo loved to paint from birth! He did not like formal schooling. He did attend the art school in Madrid but grew bored and left. As a teen he was wild and enjoyed chasing girls and hanging around with his bohemian chums. In these early years Pablo developed his routine throughout life: hard work, lots of sex (often in brothels!and smoking. Picasso drank very little and never had an alcohol problem.
As a young man he made three trips to Paris finally staying for good in the City of Lights on his fourth trip. He became friendly with several artists and writers most notablly the poet Apollinaire. His first true love was Olive Ferdinand a fetching Parisian who was also a minor painter.
Picasso had countless mistresses.
During these early years he went through his “Blue Period” in which he portrayed tragic and erotic figures in gloomy and sad modes. He later entered the “Rose Period” of colorful harlequins, clowns and street folks. He also enjoyed sculpture. His work began to sell.
Instrumental in his success were the dealers he relied upon to majrket his avant garde art. Among the influential people who bought his paintings were the American expatriots Leo and Gertrude Stein. Picasso was popular with Russian buyers. He preferred private sales rather than exhibiting his art alongside other salon artists. It was during these years he produced such masterpieces as “La Vie” “Old Man with a Guitar” and several works portraying androgynous bathers. As the book ends he is on the verge of moving into cubism along with fellow painter Braque.
Richardson does a good job of keeping his text balanced between sapient art assessments and Picasso’s personal life. The crammed text is filled with such characters as the Steins, Matisse and the fetching Olive
Ferdinand. We see how Picasso was influenced by such masters from the past as: Ingres, Cezanne, Velasquez and El Greco. Richardson is insistent that we see Picasso as a Spanish artist heavily influenced by his Andalusian roots and the luminaries of Spanish art.
The book is well illustrated with hundreds of black and white photos of Picasso’s works and snapshots taken of Picasso and friends. Richardson knew Picasso in his old age and is a brilliant critic of his work.
What kind of man was Picasso? He once told an interviewer “Truth is false!” In other words he was a paradox. He could be kind or cruel. He could abuse lovers forcing them into unnatural sex acts or he could be a gentle lover. He loved and hated Spain. He was apolitical at this early juncture of his career. Picasso hated pretense and liked common people.
He is complex and unique in art history as a protean master of many different types of art. This is the best biography ever written of Picasso and is the first of the four volumes to be published on a 2oth century art icon. Essential.